![]() ![]() “We decided that as our first record of the 90s, it ought to be different,” Martin Gore told the NME in 1990. However, for their seventh (then untitled) record they resolved to try something new. ![]() Gahan, Gore, Wilder and Fletcher had developed a working relationship and routine that was, as far as the band were concerned, beginning to stifle rather than fuel their musical ambitions…Īt this point Depeche Mode were used to spending a lot of time before the recording of their LPs discussing at length the style, tone and compositional approach that they would use. Throughout the 80s, Depeche Mode had established themselves as kings of the electro-pop landscape, albums such as Some Great Reward, Black Celebration and Music for the Masses had defined a sound and style that was both alluringly original and at the cutting edge of technological innovation, winning them a sizeable, dedicated fan base.ĭuring the course of this decade, Messrs. Recorded at Logic Studios, Puk Studios, Master Rock Studios and Axis Studios Produced by Depeche Mode and Mark ‘Flood’ Ellis Mixed by Depeche Mode and François Kevorkian Engineered by François Kevorkian, Alan Gregorie, Goh Hotoda, Peter Iversen, Phil Legg
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